The Challenge of Green
One of my painting friends said that plein air painting during spring was not as interesting as during the autumn season. Everything is green. That’s the problem with some landscapes. There is just too much green. Spring has a range of palest yellow to a medium range accented with colorful flowers. The richness of summer foliage can be almost blinding, especially in the dazzling sun. Autumn’s green is rich and more varied, touched with reds and ochres. Here in South Louisiana, green is part of the landscape year round, even during winter.
An artist commented that he counted over twenty different hues of green in the prairie landscape of North Mississippi where I grew up. Really? Was that all he could count?
I started painting outdoors about fifteen years ago after working almost exclusively from photographs. I took a workshop with Allayne Stevens through our local art guild. Not only was it my first plein air adventure, I was using oil, with which I had little experience. I was amazed how differently I saw colors in life as opposed to photos. It was challenging to figure out how to make them.
Green is one of my favorite colors, but it is frustrating trying to make the correct hue and value for all of the different ones out there. There must be hundreds of different tube colors of green. I collected quite a few from workshop instructors’ supply lists as well as from reading what other artists use. I try to limit the number of colors on my palette, not only to keep the amount of paint I carry to a minimum, but to achieve a more harmonious composition. I am still struggling to achieve the green I perceive. I love bright colors and have a difficult time neutralizing them. Or maybe that will just be my thing…brilliant greens, and lots of them.