Since I began working in plein air several years ago, most locations I have painted have been near enough that I only had to pack my gear in the GMC and drive to my destination. Even when I head for northeast Mississippi from Louisiana, it’s not a big deal, as long as I remember to bring something to protect my wet paintings from ruining the interior of the vehicle. So when one of our Paintin’ Posse (we finally have a name) suggested a painting trip to Lake Gaston on the North Carolina/Virginia border, I only hesitated a few minutes before committing to flying there on Memorial Day weekend.
Packing for travel is one thing, but packing for both painting and vacation is something else. I researched online, asked my art colleagues how they managed, and tried to minimize what I put in my two suitcases. I have several easels for outdoor painting. I tried each and finally decided on the Soltek. The tubes of oil were carefully placed in the paint boxes I saved (I’m a box hoarder) and the number of brushes limited. The Best Brella took some room, but I knew I would need it at some point. Since we were going to a lake house I took a very limited wardrobe that included the hat I always wear when painting outdoors. It all fit and came in under the weight limit. Just learning to pack to paint was huge.
The house was situated on an inlet of the lake. The weather was perfect every day except the day we left. We were able to paint several different areas and even took a trip to a winery. Our host family provided us with refrigerators full of food and beverages, prepared several meals for us, and
took us on boat tours around the lake.
I quickly acclimated myself to the artists’ retreat concept. I began five paintings, scrubbed one away, and pushed myself to paint more quickly in order to keep the light.
Now that I have learned to pack and paint, I think I am ready to head for new places, like Tuscany and Provence. After I finish the five paintings (and quite a few others) I have in my “to be completed” stack.