St. George Island Lighthouse

A lighthouse is a landmark that must be painted.

If an artist is near a lighthouse, she must paint it. We were on St. George Island after a few days of rain. The sky was clear and the air cool.  Since I never have painted a lighthouse,  it was time.   The dunes lead to the structure, which stands magnificently against the deep blue sky. The deep shadow on the left of the lighthouse adds drama to the painting. I tried to get a sense of the loneliness associated with lighthouses posted at the far end of a strip of land, but this particular place was anything but lonely…many vacationers were on the site, as well as a number of painters participating in Plein Air South.

St. George Island Lighthouse, 12″ x 9″ oil on panel plein air painting. SOLD.

 

 

 

 

 

Florida at Third Street

The brightly colored awnings attracted me to this section of Third Street at Florida. Third at Florida 10″ x 10″ oil on panel, $360 

Every town has a famous or picturesque street, and in Baton Rouge, Louisiana it is Third Street. There are restaurants, bars, and music venues between office buildings which are nearly one hundred years old that have seen several renovations during the last five or so decades. Along the sidewalks are trees and flower beds, outdoor seating for restaurants, and the crosswalk of the street itself is creatively painted. 
Several of us took the opportunity to do some plein air painting downtown on Third Street during the stay at home order. Because so many offices and businesses were closed, we could almost get in the street to paint. Almost. (We may be crazy, but are not stupid.) The brightly colored awnings got my attention.  I began five paintings during the stay at home order. Painting the urban landscape is a challenge for me, so I was happy to have the opportunity to practice on the streets of Baton Rouge. Those people who were out were happy to see painters, offering encouragement and compliments. I will take those any time!

 

 

 

 

 

 

 

Grand Goudine

For years I drove past this pasture filled with yellow flowers and thought how much I would enjoy painting it.  I realized the property backed up to a subdivision near my home so I would get out for a few hours to paint. I met the owner as he was cutting the field as I was painting it. I asked if I could paint the  front of the property, and he and his wife were happy for my painting friends and me to spend time working there. It has become our go-to place during the stay-home order this spring.

This property has become one of my favorite landscapes to paint. 11″ x 14″ $400

 

Cinclare Plantation

A road at Cinclair Sugar Plantation in Port Allen, Louisiana. 12″ x 9″ oil on panel, $300 + shipping.

 

The Baton Rouge Plein Air group painted at Cinclare Plantation in Port Allen, Louisiana at the tail end of the sugar cane harvest. It was a cloudy, humid morning, and we spent quite a bit of time looking for a paintable scene. There were several white houses along a gravel road that led to another cane field. The structures appealed to me, but it was the color of the leaves and the road leading to a neutral colored field that made an impression on me. Fall color appears late in the season in SoLA, and as long as there is not a lot of wind, it hangs around for a few weeks. Knowing the trees would be stunning just as soon as the sun broke through the clouds, I blocked in the shapes, pushing the color where I believed it should be (and because it’s what I do) and waited.

A grey day will not keep me from jazzing up the color of the foliage. This is the initial block in.

Finally, the sun appeared, throwing light on the yellow, orange and red foliage. The clouds disappeared, and I was able to put some blue in the sky. Happy Day!

 

 

 

 

December Light en Plein Air

Light is twinkling everywhere, now that the Christmas season is upon us. Retailers have had decorations up since the beginning of November, and neighbors try to out-light each other with displays in the yards and on their houses. 

The view across the lake at City Park. The foliage was stunning.

At the end of November and beginning of December here in South Louisiana the leaves finally turned to yellow, orange, and scarlet, and their contrast against the blue sky was amazing. The light reflecting on the foliage resembled sparkling jewels; the display lasted about ten days before fading.

A grey day will not keep me from jazzing up the color of the foliage. This is the initial block in.

It’s been a few weeks since I have been out in the field painting, and it was not hard to see I was sorely out of practice. I am not an outdoor person, but there is something about being in nature trying to capture a feeling or image that makes putting up with the cold/heat/damp/maybe rain/once snowflakes a pleasure. For me, painting en plein air is not so much about the product but the process. Of course, getting a good painting every now and then is pretty cool.

Painting the Town of Gautier, MS

The first weekend in May, I spent time painting the sights of Gautier, Mississippi. This small town on the Gulf Coast is home to friendly people and lots of boats. The plein air event was my first experience painting boats.

Painting on Location

I am not an outdoor person. My favorite outdoor activity was tanning until I discovered plein air painting. Now it is my passion.

Paint It Orange

For years I wanted to participate in a plein air event, you know, when artists get together and paint a certain place over a couple of days, compete against each other to win prize money for the best painting on the wet wall, and maybe sell a few. Like a golf tournament for painters. In Plein Air Magazine articles are written about the big events around the country, with photos of stunning landscapes and stories about the artists who are like rock stars in the world of outdoor painting. Being part of one of these happenings was on my retirement to-do list.

I heard about “Paint It Orange” from my niece who just happened to be working for the Hillsborough Arts Council in North Carolina. That’s a pretty good distance from Prairieville, Louisiana. My husband said I should go, my sister told me I could stay with her, and since I have been in plein air “training” for the past few months, I decided to give it a try.

The first day I had all my stuff ready to go so I would not miss a minute of painting time. I have never driven in the state of North Carolina, but I drove to the arts council in my brother-in-law’s Prius (another first), had my panels stamped, and then I was out on my own. Since I did not have the luxury of casing Orange County prior to the event, I went to the first place where I could park, which was the Hillsborough Riverwalk. Unlike my home state, which is green almost year-round, the trees were just beginning to turn yellow, orange and red. For the rest of the trip, I searched for brilliantly colored trees to paint. On the second day I had the privilege of painting at the University of North Carolina in Chapel Hill, and for the first time in my plein air career, I had to wear gloves to paint. The last day I painted on a farm where there were barns, sheds, beautiful trees, and many dogs walking their owners.

The wet wall event was well attended, and a lot of paintings sold. I finally got to meet many of the painters I followed on Facebook. Even though I did not win a ribbon or sell at the reception, I felt a sense of accomplishment–being part of a three day plein air event that was on my retirement to-do list. I plan to do it again.

The Challenge of Green

The Challenge of Green

One of my painting friends said that plein air painting during spring was not as interesting as during the autumn season. Everything is green. That’s the problem with some landscapes. There is just too much green. Spring has a range of palest yellow to a medium range accented with colorful flowers. The richness of summer foliage can be almost blinding, especially in the dazzling sun. Autumn’s green is rich and more varied, touched with reds and ochres. Here in South Louisiana, green is part of the landscape year round, even during winter.

An artist commented that he counted over twenty different hues of green in the prairie landscape of North Mississippi where I grew up. Really? Was that all he could count?

I started painting outdoors about fifteen years ago after working almost exclusively from photographs. I took a workshop with Allayne Stevens through our local art guild. Not only was it my first plein air adventure, I was using oil, with which I had little experience. I was amazed how differently I saw colors in life as opposed to photos. It was challenging to figure out how to make them.

Pasture on Highway 73
Pasture on Highway 73

Green is one of my favorite colors, but it is frustrating trying to make the correct hue and value for all of the different ones out there. There must be hundreds of different tube colors of green. I collected quite a few from workshop instructors’ supply lists as well as from reading what other artists use. I try to limit the number of colors on my palette, not only to keep the amount of paint I carry to a minimum, but to achieve a more harmonious composition. I am still struggling to achieve the green I perceive. I love bright colors and have a difficult time neutralizing them. Or maybe that will just be my thing…brilliant greens, and lots of them.

Pasture on Highway 73 - Beginning Stages
Pasture on Highway 73 – Beginning Stages